https://www.meteorologiaenred.com/en/los-vientos-de-espana-tramontana-levante-y-poniente.html#Viento_de_TramontanaIs that a wind?
Around 1881 Gal Dali moved to Barcelona. According to family tradition the main reason for this decision was that he found he could no longer stand the tramuntana. This fierce north wind, as integral a part of life in the Upper Emporda as the rain in London, has to be experienced to be believed. Dry and bitterly cold in winter, it roars and blasts its way down through the passes of the Pyrenees (hence tramuntana, `from across the mountains’), sweeping the sky clear of clouds, and, hitting the Emporda, forces the cypresses almost to their knees, smashes flowerpots, snaps television masts and coats the cliffs of Cape Creus white with salt lashed from the waves. The tramuntana blows regularly at over 130 kilometres an hour, and has been known to overturn railway carriages and hurl cars into the sea. At Port-Bou, on the French frontier, it can be so violent that the paramilitary Civil Guard used to enjoy a special dispensation allowing them to climb to their quarters upstairs on all-fours: a position that would normally have been considered undignified in the extreme for a force of law and order famed for its machismo.
The tramuntana can affect the emotions as brutally as it does the sea and countryside, and is a constant topic of conversation in this region. The Empordanese are known for their intransigence (the Dalis were no exception), and one authority on the area has attributed this to their having to push constantly against the wind. Anyone a little dotty in these parts, or with a tendency suddenly to flare up, is likely to be labelled atramuntanat (`touched by the tramuntana’), and in the past crimes passionnels committed when the wind was raging were half-way to being condoned. As for depressives, they can be driven to absolute despair by a prolonged bout of the wind–and the bouts may last for eight or ten days, especially in winter. It is even alleged that the tramuntana is responsible for suicides, especially in Cadaques. The protagonist of Gabriel Garcia Marquez’s short story, `Tramuntana’, is such a victim. It may well be that Gal Dali feared that, if he stayed on in the village, he was in mortal danger.