weta27
Super Anarchist
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Definitely a gap all the way up. You can see the telltales coming out of the space between at regular intervalsOr is this "black space/lines" that you can see in the pic a trick of the eye and actually the back side of the windward mainsail, exposed by the leeward mainsail carrying more camber than the windward one, and probably mast rotation too, and that the leaches are actually touching?
The Instagram Post mentions they were doing 28 knots in the boat the film was taken from. Light winds too (big headsail on), assuming this was taken yesterday (11 Dec) it was a pretty calm day here in Auckland.And maybe hold on until the boat initiates and finishes a maneuver (gybe or tack)?
And while we're at it, instead of saying they're motoring, how about mentioning what speed you're doing trying to keep up?
To my very untrained eye - those look like wing flapsYou can see it in this pic from the launch
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I dunno whats going on in that pic, I'm not convinced its a gap but its certainly possible that the fairing thing at launch didn't work out
To my very untrained eye - those look like wing flaps
the flaps are in the 'up position'Not sure, looks different to me but maybe we just haven't seen it close-up before??
Edit: None of my earlier photos shows anything like this.
View attachment 335524
Thanks Weta...Definitely a gap all the way up. You can see the telltales coming out of the space between at regular intervals
Fair 'nuff, except I believe Weta does a pretty darn good job in this regard. And of course some of his footage is shot from shoreside vantage points.Morning, Weta and others with a camera, opportunity and the inclination.
Please all refer to operational instructions in post #240 above, in case Te Aihe should venture forth. Thank you.
Just pullen Weta's leg, KiwiJ. He knows that too. In fact, I'll take this opportunity to thank him again for all the great work he's doing - thanks, Weta and others for the fantastic contribution to this forum.Fair 'nuff, except I believe Weta does a pretty darn good job in this regard. And of course some of his footage is shot from shoreside vantage points.
The footage in #232 appears to be at the limit of the camera's range, or user's control. Plus shot from bumpy small boat at speed.
Doing this this is a real art, requiring discipline, anticipation and muscle control.
Best shooter I've ever ridden with is former 12-metre crew Dick Enersen, six-footer with thighs like tree trunks. First made his name as a shooter and producer back in the '70s. Would stand in a small boat at speed in a seaway, full-size video cam balanced on his shoulder for hours on end, and deliver footage virtually as steady and shake-free as that from a tripod ashore.
Not anymore. Cheap hand–held stabilisers for phones and cameras are available for under $100, professional ones under $1,000. You can even program them so that when you move the camera around, the subject stays in the centre of the frame.Doing this this is a real art, requiring discipline, anticipation and muscle control.
Thanks. Packed away my Canon gear. Not current and besides can't keep up with the technology torrent.Not anymore. Cheap hand–held stabilisers for phones and cameras are available for under $100, professional ones under $1,000. You can even program them so that when you move the camera around, the subject stays in the centre of the frame.
This is the best we have.it would be nice if someone paced them and told us how fast the speed was. boat looks mean.
Thank you for the clarification. The NZ hydraulic twin leech line and traveller control looks pretty clever. It will be interesting to see the solutions used by the other teams.The mast.
Yes.
No. The lower 1.5 metre (mast lower zone) is pretty much open slather, controlled only by area of entire main and foot girth. See Fig. 20.3 in the rule.